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News from the Conning Tower: Awkward Geisha, t.r. hand & Glauber K.S.

One of the features of the Submarine Broadcasting Company is that in addition to our roster of lovely musicians we also have guest artists from time-to-time who will release work through us rather than their home label… Cousin Silas earlier this year, and just recently Ippu Mitsui graced us with a release or two. The latest act to stay in our musical guest room is the mighty Awkward Geisha. From their own Bandcamp page:

Awkward Geisha is a free improvisation ensemble with legs firmly lodged in the avant garde and dada movements. Members of the ensemble vary from song to song. The ensemble was put together by Ade Rowe in 2016 as a reaction to the mundane and tedious sounds that insult the eardrums on a daily basis.

We’re delighted to be offering this deluxe book/CD package ‘Snapshots’, which comprises a compilation of Awkward Geisha tracks on CD, mounted in a hand-finished hardback book designed by the Glove of Bones, featuring 20 pages of vintage geisha photographs.

This is a strictly limited run which will not be repeated. Books are made to order and all orders must be placed by 12th November 2018, when manufacturing will begin. We intend to ship these items before December, if you’re seeking Christmas gifts for that special free improvisation ensemble-loving someone in your life.

The package is only available from our merch page.


Coming soon, we hope to offer new work from the enigmatic t.r. hand, this time in league with Brazilian musician Glauber K. de Souza. This promises to be an intriguing and beautiful recording, building on t.r. hand’s trademark field recordings and sound collages and marking new territory for the wayward guru.

While you are waiting for the new t.r. offering, recap on the remarkable ‘The Checking’ EP with this:

News from the Conning Tower: t.r. hand

Everyone here at the Conning Tower was winding down, lowering the periscope, ready for the traditional English August of drizzle and traffic jams, when a most remarkable thing happened… a new EP from the reclusive guru of mind-training, self help/abuse and prison tattoos, t.r. hand, landed on the desk.

There’s a super-size serving of concept in the EP ‘The Checking’, and in addition to t.r’s trademark washes, sound collages, chops/screws and deep atmospherics, there are spoken vocal readings/recitals from Bonnie J. Currie which give the tracks a whole new focus and impetus. Once again t.r has coerced the Glove of Bones into producing the cover/track art and it is glorious.

05 Junk Devotion

After checking that the restraining order was still in place,  and that our A&R man’s tetanus jabs were up to date, we set out to get an interview with t.r. hand in a disused warehouse. This is what happened:

SBC: Can you give some explanation of the ideas behind this work and its points of reference?
TRH: Have you been watching One Punch Man on Netflix? It’s like that. If you get an idea, the last thing you should do is grab it and choke the air out of it. Tickle it, ask it questions. Listen, don’t talk.

SBC: There is a running theme in the work, a narrative. How did that come about?
TRH: From a broad suggestion. I didn’t choose it, other than signposting its huge source. I didn’t know the performer, nothing other than ‘some words’ was suggested.

SBC: Did the narrative alter the project?
TRH: Yes.

SBC: Can you explain?
TRH: No. Well, almost no. The grip on the idea wasn’t ever so tight that it couldn’t transform. Everything is transformation. A stick of charcoal in your fingers and a piece of paper. Both ask for transformation. When I received the narrative recordings they changed the project. Pretty much completely. The original project is probably flipping and flapping around somewhere waiting for an oxygen intake. Is that the natural selection of ideas? No idea. The critical thing though is I’d imagined some scattergun / sound bite content. That’s what I was geared up to work with. Bonnie’s work though was so full of understanding of the subject and passionate in it’s presentation, the original idea seemed trivial and it would have been wrong to strip it from it’s context and use little bits from here and there for effect or imposed meaning. I ‘get’ the source but of all the many words in books, this set are the most inviting for the imposition of personal meaning.

SBC: For any readers out there, what is the source?
TRH: They are from the Red Book by Carl Jung. Look it up, it’s not easily summarised. Go with the flow. Pretty sure civilization will come back to it after the apocalypse.

SBC: That isn’t very positive for a self proclaimed Guru?
TRH: Truth hurts, which probably explains the current global collision.

SBC: In your somewhat small public scope, you do use the hashtag #guru. Do you have any reason or explanation of this?
TRH: There’s an underlying, no, overriding sarcasm in that question isn’t there? The ‘Self Help’ industry is on the ascent, most of it is lunacy. It’s all very tribal. So, I’m happy to hit up on a level playing field. I’m pretty much in the peace and love wing, anarchic, left leaning libertarian sect. It’s niche but I’m sure there’s an audience. Albeit briefly.

SBC: Thank you.
TRH: Can I go now?

01 Whispering Knights

We are presenting The Checking as a digital download, or as a super-deluxe hardback book/CD package, including 24 pages of Glove of Bones’ designs. Both formats are available from the Bandcamp page.

August Releases: Cottura 8 Minuti and Manipulant

Two releases this month, both somewhat unusual.

First up is the various artists compilation, Cottura 8 Minuti (or C8M). This is compilation of music made in, or at least centered around, the kitchen. We’d love to take credit for C8M, but the truth is the curation and heavy-lifting was done by Lezet and Razrook, both of whom appear on the compilation.

Lezet (Igor Jovanovic) says:

“Cottura 8 minuti – that’s a suggested time for preparing a meal (often printed on pasta package, spaghetti for instance).

Cottura 8 minuti (C8M) was also a suggestion for musicians and sound artists to contribute in gathering a collection of sound recordings that all originate from any sort of a kitchen (indoor, outdoor, home, restaurant etc.)

C8M – gave freedom to explore all kinds of kitchenish soundscapes. The performances (“cooking” the sounds, or other recording engagement in the kitchen, using kitchenware to produce sound, music, or even playing real instruments while cooking them in a stew…) don’t all last for 8 minutes, but we gave the artists strict instructions not to overcook it!”

As you might expect, C8M is predominantly experimental, containing generous servings of field recordings, noise, no-wave and treated sounds. Artists featured include Zumaia, Mean Flow, { AN } Eel , Gekkering, Awkward Geisha, Yann Pillas, David Nadeau, David Fenech and many more.

C8M is available as a digital download from Bandcamp, iTunes and Amazon, or on two CDs from Bandcamp.

All proceeds from C8M go to the Petar Radovanović Children’s Home, Užice, Serbia.

 


Our other release so far in August is a first for SBC, an album of remixes. We’ve taken Manipulant’s lovely single ‘What Good Are The Stars?’ and handed it out to a phalanx of musical luminaries and encouraged them to do unspeakable things with it.

Punningly entitled ‘The Stars Are Good… What?’, the album includes remixes from SBC ‘regulars’ Martin Neuhold, Alan Morse Davies, t.r. hand and Beltism, plus a plethora of guest artists new to the label:  A Multitude of ONE, Cheddr, Stoneygate, Alex Hilliard with IE Unnoticed, Incentive, and Once & Future NoOne. It’s a fantastically inventive collection of remixes, ranging from the sympathetic through to complete re-workings.

‘The Stars Are Good… What?’ is available as a digital download or CD from Bandcamp. All proceeds go to the Make The World Better (MTWB) Foundation (Philadelphia). www.mtwb.org