Forthcoming Attractions: Cousin Silas and the Glove of Bones; Whettman Chelmets

Aloha. A brief update about two releases we’ve just made available for pre-order. As ever, we’re fashionably late to the party, announcing our first two cassette releases.

First up, we’re delighted to welcome Cousin Silas back to the Submarine Broadcasting Company imprint, on this occasion in tandem with our resident multimedia artist The Glove of Bones. The album is Spirits of Afrodubism, and it’s a glorious combination of Silas’ melodic and lyrical guitars, ambient synth pads, cut-ups and aural collages, found sounds and African iconography, all fused with a dub treatment that fans of King Tubby or Bill Laswell will love.

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Artist’s impression of a cassette.

We’re positioning this primarily as a cassette release, but it will also be available as a digital download from our Bandcamp store.

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Yes, yes, we know. You wait thirty years for a cassette release and then two come along together. Tres amusant. Our other forthcoming attraction is the new single/EP/maxi-single (that’s still a thing, right?) from Whettman Chelmets.

Alas… The Sun is Shining and You are Still Alive is a tryptych of nostalgia and reinvention. The lead track, The Sun is Shining is gorgeous slice of fuzz-drenched shoegazery that invokes the memory of the Jesus and Mary Chain, My Bloody Valentine et al, with nods to the big production techniques of yesteryear.

Whettman says:

Track two takes on acoustic treatments and blends them with 4/4 kick drums, reverberated guitars and chimes that weave to a grandiose apex with nods to the The Tornados’s “Telstar” and other larger-than-life sounds. Track three slows it all down to a glacial pace and unfolds guitar textures over the course of nine minutes, moving from a dreamy yearning to crushing waves of feedback and noise.

Alas… The Sun is Shining and You are Still Alive is available on CD, rubine red cassette (!) and digital download.

We are offering the digital download at the laughably paltry price of £1 (one pound) for a limited period only, so come get some.

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News from the Conning Tower: t.r. hand and Glauber K. de Souza

Ah, autumn, season of mists and mellow fruitlessness. Our release for the tail end of September is ‘Suburban Solitude’ from our resident mystic t.r. hand in collaboration with Glauber K. de Souza of the Amao Quartet.

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The album contains the field recordings and sound collages you’ve come to expect from t.r hand, but taken in new directions with electro-acoustic instrumentation from Glauber K.S.

It’s a meditative and subtle work, one that demands to be listened to at length; a soundscape that needs to envelop you and move you.

We’re delighted that this work has already picked up a positive reception; most of the tracks are too long to be radio-friendly but this album will reward the listener that seeks it out.

As with the previous t.r. hand album, we’re delighted to offer this album in both digital and physical editions. Suburban Solitude is available from our merch store as a deluxe book/CD package, designed by the radical design collective Glove of Bones. As you can see, it’s a beautiful thing.

 


In other news, we have some groovy stuff still to come this year. A very special album by Hans Castrup, new work from Leaving Richmond and Whettman Chelmets and the sophomore album from GOATS. Come get some!

News from the Conning Tower: Awkward Geisha, t.r. hand & Glauber K.S.

One of the features of the Submarine Broadcasting Company is that in addition to our roster of lovely musicians we also have guest artists from time-to-time who will release work through us rather than their home label… Cousin Silas earlier this year, and just recently Ippu Mitsui graced us with a release or two. The latest act to stay in our musical guest room is the mighty Awkward Geisha. From their own Bandcamp page:

Awkward Geisha is a free improvisation ensemble with legs firmly lodged in the avant garde and dada movements. Members of the ensemble vary from song to song. The ensemble was put together by Ade Rowe in 2016 as a reaction to the mundane and tedious sounds that insult the eardrums on a daily basis.

We’re delighted to be offering this deluxe book/CD package ‘Snapshots’, which comprises a compilation of Awkward Geisha tracks on CD, mounted in a hand-finished hardback book designed by the Glove of Bones, featuring 20 pages of vintage geisha photographs.

This is a strictly limited run which will not be repeated. Books are made to order and all orders must be placed by 12th November 2018, when manufacturing will begin. We intend to ship these items before December, if you’re seeking Christmas gifts for that special free improvisation ensemble-loving someone in your life.

The package is only available from our merch page.


Coming soon, we hope to offer new work from the enigmatic t.r. hand, this time in league with Brazilian musician Glauber K. de Souza. This promises to be an intriguing and beautiful recording, building on t.r. hand’s trademark field recordings and sound collages and marking new territory for the wayward guru.

While you are waiting for the new t.r. offering, recap on the remarkable ‘The Checking’ EP with this:

Review of Stringmodulator’s ‘Manifesto’ from Monolith Cocktail Blog

Dominic Valvona’s New Music Reviews Roundup A bumper roundup this month from me of eclectic tastes from across the sphere, including albums, singles, cassettes and EPs from Kammerflimmer Kollektief, Andrew Heath, Picturebox, Bokanté And Metropole Orkest, Acid Mothers Temple & The Melting Paraiso U.F.O., Perhaps and Stringmodulator. In brief, ‘lower-case’ minimalist composer Andrew Heath delivers […]

via Tickling Our Fancy 068: Kammerflimmer Kollektief, Picturebox, Bokanté And Metropole Orkest, Perhaps… — Monolith Cocktail Blog

News from the Conning Tower: Radio Radio

A quick round up on some of the radio appearances happening soon:

Stringmodulator on Grand Music for Tiny Souls (plus our Bearsuit friends Bunny & The Invalid Singers)

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Stringmodulator on the Comfy Show (plus our good friend Jaime Munarriz):

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t.r. hand on The Recognition Test (along with our friends Alwin van der Linde + {AN} EeL, Hans Castrup and Jaime Munarriz):

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And finally… Stringmodulator were on the mighty BCfm again today. Listen again here:

http://bcfmradio.com/intune

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News from the Conning Tower: forthcoming attractions

September 10th sees the release of three special albums, all quite different but with a common theme running through them. We have…

  • From Germany, Stringmodulator with their debut album ‘Manifesto’.
  • Reclusive krautrockers K-Elektronischer Automatisten’s new album ‘Verlorene Tonbänder Maschinengefühle’
  • English krautrock from Dynamo Snackbar with ‘A Myriad of Catalysts’

Three melodic instrumental albums that nod towards krautrock and prog, with a raft of other influences. We’ll go into detail on these albums over the next couple of weeks, but first up a quick round up of some of the coverage of Stringmodulator.

banner3_0We were delighted to get some pre-release airplay from the lovely Phil Vickery on his weekly In-Tune show on BCfm. Phil’s show is always essential listening and this was no exception. Listen again here:
https://bcfmradio.com/intune

The album also scored a fantastic review from the charming Michael Housel at his Bizarre Chats blog. Read it here:
https://bizarrechats.blogspot.com/2018/08/stringmodulators-manifesto-strikes.html

Manifesto cover

News from the Conning Tower: t.r. hand

Everyone here at the Conning Tower was winding down, lowering the periscope, ready for the traditional English August of drizzle and traffic jams, when a most remarkable thing happened… a new EP from the reclusive guru of mind-training, self help/abuse and prison tattoos, t.r. hand, landed on the desk.

There’s a super-size serving of concept in the EP ‘The Checking’, and in addition to t.r’s trademark washes, sound collages, chops/screws and deep atmospherics, there are spoken vocal readings/recitals from Bonnie J. Currie which give the tracks a whole new focus and impetus. Once again t.r has coerced the Glove of Bones into producing the cover/track art and it is glorious.

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After checking that the restraining order was still in place,  and that our A&R man’s tetanus jabs were up to date, we set out to get an interview with t.r. hand in a disused warehouse. This is what happened:

SBC: Can you give some explanation of the ideas behind this work and its points of reference?
TRH: Have you been watching One Punch Man on Netflix? It’s like that. If you get an idea, the last thing you should do is grab it and choke the air out of it. Tickle it, ask it questions. Listen, don’t talk.

SBC: There is a running theme in the work, a narrative. How did that come about?
TRH: From a broad suggestion. I didn’t choose it, other than signposting its huge source. I didn’t know the performer, nothing other than ‘some words’ was suggested.

SBC: Did the narrative alter the project?
TRH: Yes.

SBC: Can you explain?
TRH: No. Well, almost no. The grip on the idea wasn’t ever so tight that it couldn’t transform. Everything is transformation. A stick of charcoal in your fingers and a piece of paper. Both ask for transformation. When I received the narrative recordings they changed the project. Pretty much completely. The original project is probably flipping and flapping around somewhere waiting for an oxygen intake. Is that the natural selection of ideas? No idea. The critical thing though is I’d imagined some scattergun / sound bite content. That’s what I was geared up to work with. Bonnie’s work though was so full of understanding of the subject and passionate in it’s presentation, the original idea seemed trivial and it would have been wrong to strip it from it’s context and use little bits from here and there for effect or imposed meaning. I ‘get’ the source but of all the many words in books, this set are the most inviting for the imposition of personal meaning.

SBC: For any readers out there, what is the source?
TRH: They are from the Red Book by Carl Jung. Look it up, it’s not easily summarised. Go with the flow. Pretty sure civilization will come back to it after the apocalypse.

SBC: That isn’t very positive for a self proclaimed Guru?
TRH: Truth hurts, which probably explains the current global collision.

SBC: In your somewhat small public scope, you do use the hashtag #guru. Do you have any reason or explanation of this?
TRH: There’s an underlying, no, overriding sarcasm in that question isn’t there? The ‘Self Help’ industry is on the ascent, most of it is lunacy. It’s all very tribal. So, I’m happy to hit up on a level playing field. I’m pretty much in the peace and love wing, anarchic, left leaning libertarian sect. It’s niche but I’m sure there’s an audience. Albeit briefly.

SBC: Thank you.
TRH: Can I go now?

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We are presenting The Checking as a digital download, or as a super-deluxe hardback book/CD package, including 24 pages of Glove of Bones’ designs. Both formats are available from the Bandcamp page.

August Releases: Cottura 8 Minuti and Manipulant

Two releases this month, both somewhat unusual.

First up is the various artists compilation, Cottura 8 Minuti (or C8M). This is compilation of music made in, or at least centered around, the kitchen. We’d love to take credit for C8M, but the truth is the curation and heavy-lifting was done by Lezet and Razrook, both of whom appear on the compilation.

Lezet (Igor Jovanovic) says:

“Cottura 8 minuti – that’s a suggested time for preparing a meal (often printed on pasta package, spaghetti for instance).

Cottura 8 minuti (C8M) was also a suggestion for musicians and sound artists to contribute in gathering a collection of sound recordings that all originate from any sort of a kitchen (indoor, outdoor, home, restaurant etc.)

C8M – gave freedom to explore all kinds of kitchenish soundscapes. The performances (“cooking” the sounds, or other recording engagement in the kitchen, using kitchenware to produce sound, music, or even playing real instruments while cooking them in a stew…) don’t all last for 8 minutes, but we gave the artists strict instructions not to overcook it!”

As you might expect, C8M is predominantly experimental, containing generous servings of field recordings, noise, no-wave and treated sounds. Artists featured include Zumaia, Mean Flow, { AN } Eel , Gekkering, Awkward Geisha, Yann Pillas, David Nadeau, David Fenech and many more.

C8M is available as a digital download from Bandcamp, iTunes and Amazon, or on two CDs from Bandcamp.

All proceeds from C8M go to the Petar Radovanović Children’s Home, Užice, Serbia.

 


Our other release so far in August is a first for SBC, an album of remixes. We’ve taken Manipulant’s lovely single ‘What Good Are The Stars?’ and handed it out to a phalanx of musical luminaries and encouraged them to do unspeakable things with it.

Punningly entitled ‘The Stars Are Good… What?’, the album includes remixes from SBC ‘regulars’ Martin Neuhold, Alan Morse Davies, t.r. hand and Beltism, plus a plethora of guest artists new to the label:  A Multitude of ONE, Cheddr, Stoneygate, Alex Hilliard with IE Unnoticed, Incentive, and Once & Future NoOne. It’s a fantastically inventive collection of remixes, ranging from the sympathetic through to complete re-workings.

‘The Stars Are Good… What?’ is available as a digital download or CD from Bandcamp. All proceeds go to the Make The World Better (MTWB) Foundation (Philadelphia). www.mtwb.org

New Release Round Up: Manipulant, Ippu Mitsui and Martin Neuhold

So that was July then. But here at Submarine Broadcasting Spires we’ve had no time for the World Cup, Love Island or lounging about in hammocks sipping banana daiquiris, no sirree Clive. No, we’re committed to the making of music, sweet music, and we have served up a summer smorgasbord of aural treats.

We’ve had a fantastic new single from Manipulant, ‘What Good Are The Stars?’. It’s a sweet, down-tempo, romantic number which was been picking up some airplay on the internet radio circuit. There’s also a version with an alternative vocal take by Jennifer Doll which takes the song in a different direction altogether. But if all this is too melodic and accessible for you, don’t worry; we have an album of remixes, re-purposings and re-imaginings coming out in August that will tread the path less travelled.

 


July also saw our first release from Ippu Mitsui who we have on loan until the end of the season from our friends at Bearsuit Records. Ippu’s delivered a brilliant four-song EP called ‘Shift Down’ and as the title suggests it contains some mellower numbers than on last year’s ‘L + R’. Ippu’s music doesn’t fit any genre easily – he describes himself simply as an electronic musician – and this EP encompasses a number of styles, but if you like your electronic music melodic, with elements of synthwave, synthpop, DnB and everything between, do check it out.

 


Our final release of July is the third and – as is the convention with trilogies – final part of Martin Neuhold & Friends’ Dialogue series. The music of Dialogue started life as solo improvisations recorded by Martin as part of February Album Writing Month (FAWM); these were then added to, remixed and generally re-jigged by a number of leading ambient and experimental musicians. Artists on this album include Cousin Silas, Volker Lankow, Randy Pytel, Norbert Kutz, Gareth Farmer, Guy Mauseth, Colin Powell, Wilfried Hanrath, Allen Pitts, Siegfried Grundmann amongst others.

All three volumes are available as download or CD, and all proceeds go to Médecins Sans Frontières.

 


We have lots of new releases slated for August and September, and in order to free up some space for new stock we are attempting to clear some of our existing inventory, so do check the Bandcamp store for reductions on CDs from Manipulant, Crayon Angels, the Klang and Post:Soc compilations and more. We’ve also reduced the price of some downloads – even though these don’t occupy any physical space – just because we’re nice.

MANIPULANT – Single Review: “What Good Are the Stars?”

Brilliant review of the new Manipulant single from Eclectic Music Lover:

ECLECTIC MUSIC LOVER

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Lancaster, Pennsylvania-based artist Manipulant (aka David Speakman) is an imaginative and intensely creative multi-instrumentalist/composer of electronic music that he refers to as “scientific sound spaces.” In 2016, he released his debut album Méthode de Narration, and followed up a year later with the superb Eclectro, which I reviewed and you can read here.  On July 4th, he dropped his latest work, an EP of sorts with the single “What Good Are the Stars?” as the main track, plus three remixes.

“What Good Are the Stars?” is mysterious and sublime, with a glittery soundscape of swirling synths that seem to float above the subtle bassline. A gentle hypnotic drumbeat  keeps the languid pace, and a delicate but haunting repeating piano riff adds a sense of unease to the mesmerizing track. Manipulant’s smooth, echoed vocals have an otherworldly feel as he sings the lyrics that question his inability to…

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