New Release: GOATS ‘Far Out’

We’ve been publicising the new GOATS album for a couple of months now, so we’re absolutely delighted to announce its general release.

Far Out is GOATS’ second album, with a change of personnel and a change of direction. The core members Alan Morse Davies and Declan Owen remain and are augmented by Jorge Mario Zuleta on visuals, plus a number of guest musicians. Musically, there is the experimental feel from the first album, but much, much more: the album comprises a single 38 minute track containing elements of psychedelia, folk, Tuvan throat singing, all interwoven and drifting in and out of focus.

A psychedelic drone folk ambient noise radio station, not perfectly tuned, so that there is another psychedelic drone folk ambient noise radio station playing simultaneously. Requires repeated listening.
— Aeons And Monuments

GoatsCover BandcampWe’ve been really encouraged by the reception this album has received already, with radio play on A Duck in a Tree (resonance.fm), Chunky’s Choice Cuts (dapper.fm), In Memory of John Peel, Wonky Planet Wireless Show  and The Institute of Spectra-Sonic Sound, amongst others, and positive reviews in a number of blogs, including Houdini Mansions, Mystic Tape Deck, and Yeah I Know It Sucks.

We’re leading with a cassette format, available only from our Bandcamp store. Far Out is also available as a download from Bandcamp, iTunes and Amazon.

 

It feels like your using your personal super power of flight and sailing along above the earth hearing many disparate sounds and occasionally dipping in on different places around the globe for a closer listen.
— Albert E. Trapezoid

You can listen to and purchase Far Out here:

 
Do give it a spin.


But that’s not all. To accompany Far Out Jorge Mario Zuleta has also produced a full length video, entitled How to Cook a Queen. As befits a sister-piece to Far Out, it’s another psychedelic trip, surreal, spellbinding, disturbing and intriguing in equal measure. You can watch How to Cook a Queen here:

 

News from the Conning Tower: GOATS ‘Far Out’

Next month we have another big release, the much anticipated new album from experimental supergroup GOATS.

Far Out is GOATS’ second album, and it is a different beast from the first album. There has been a change of personnel, and this time the album is a single 38 minute piece; chief goat herder Alan Morse Davies describes it as a song cycle, more of which later.

We’re leading with a cassette release for this album; digital formats will be available from our Bandcamp store and selected other platforms. Note that due to the continuous nature of the music, the cassette is single-sided, so the second side is free to do with what you will. We recommend trying to record your favourite tracks from the top forty, but without the DJ’s voice on the intros.

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There are already some excellent reviews of ‘Far Out’ (like Albert E. Trapezoid and Mystic Tape Deck which both brilliantly capture the spirit of Far Out, but if clicking on those links is way too tricky, here’s the SBC take: Far Out is like a journey, or perhaps a trip (remember kids, drugs are bad!) where you’ll encounter found sounds, shimmering ambient canvasses, complete songs, bent circuitry, all overlapping and merging, occasionally crystallizing into focus before disappearing from view and being replaced with something new. It’s experimental, but accessible, Dadaist but emotional. Go with the flow, let it wash over you, drink deep and you’ll discover a truly unique work of art.

Available at special pre-order prices here.

 

News from the Conning Tower: Nerja Sound, A Love Song and future presentations

Hello. Yes, not dead. Been busy.

Unless you have managed to avoid our social media onslaught, you will be aware of our latest big album, a collaboration between elegantly wasted guru and all-purpose troubador t.r. hand and anarcho-syndicalist sommelier and multimedia artist Glove of Bones. Entitled Nerja Sound it’s a brilliant postcard from southern Spain, experimental but very accessible, genre-defying but melodic. As well as the unholy duumvirate of Messrs Hand and Bones, it features a number of acclaimed guest musicians including Cousin Silas, Glauber K. de Souza and Jaime Munarriz.

Check out the album here:

Our other recent release was from newcomers to SBC, Antonella Eye Porcelluzzi and Simone Santarsiero, with a stark and sombre audio poem, A Love Song. It’s a maxi-single containing two mixes, the original Nico-esque version and the more radio-friendly Melodic Mix. 

Listen to A Love Song here:


We have a number of delights in store over the next few months. Lots of work to do, i’s to dot, t’s to cross, dreams to shatter, but two that we think we can safely share are the debut album from Modwump, working title Animal Bitrate, and the second album from the ever-wonderful GOATS: Far Out.

(Spoiler alert: We’ve heard Far Out and it’s proper drop-dead brilliant. GOATS spit on your ‘difficult second album’ lore)

More on both of these releases soon.

Keeps Me Alive – review of Manipulant ‘Sundries And Souvenir’

A lovely review from the lovely people at Keeps Me Alive of our lovely latest release. Lovely.

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Folks! Manipulant is back! Today, February 14, 2019, sees the release of a retrospective of the past couple of years of Manipulant’s work, along with one new song, too!

I’ve been privileged to have a copy of this release here in the KMA Eastern offices for a wee while in advance of the release, and I must say it is amazing to have so much great music in one place. I wondered how the tracks would sound, taken out of context of the original releases, but I needed haven’t worried as it all flows beautifully. Top to bottom this collection showcases the energy and strong, highly creative work of Manipulant in full stride. 

As an added bonus, there’s one new track here,  Melted Roses, Invisible, which happily pops along on a buzzy bassline over busy drums and occasional guitar stabs and a Tom Waits-ish vocal bit. When he says…

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News from the Conning Tower: Wilfried Hanrath and Manipulant releases

Two new releases to tell you about. First up and out now is the the beautiful new album from Wilfried Hanrath, Glow.

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Glow limited edition digipak. Rather lovely.

Available in a beautiful limited edition digipak, Glow is an album of captivating and mesmerising music. The music comprises improvisations based on, and re-workings of, the music of Matt Getchell (Matt and Wilfried release music collectively as The Hauchzart Ensemble). Alongside Wilfried, guest artists include Cousin Silas, Walloff Domberg, ./noise and Leonel Cardoso.

In places experimental, sometimes ambient, but always melodic and accessible, Wilfried’s music defies traditional genre classification. Listen to an excerpt here:

 


Fresh! New! Exciting! Available to pre-order now is the new album from Manipulant. Sundries & Souvenir is a retrospective of the last three years of Manipulant music, including some new mixes and brand new songs. We wanted to push the boat out for this release, so we’ve tried ensure a format for everyone. So that means:

  • Vinyl
  • Cassette
  • CD
  • Digital download

And… [drum roll]

  • 8-track cartridge

Yes, we went there. Yes, we are hipsterer than thou. Get over it.

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What’s the last 8-track you bought?

You can hear some tracks from the album or pre-order the format of your choice at the SBC Bandcamp store.

News from the Conning Tower: New year, new you

Hello you. Happy new year. Enjoy the break? Yeah, not bad. Quite quiet, actually. Mostly family, you know…

Right, so just a quickie to update you all before we go on our spring/summer hiatus/sabbatical/furlough. It looks like there will be three releases before we hibernate: a brilliant new album from Wilfried Hanrath, a career retrospective from Manipulant and first out the blocks will be the superb hard-electronic/acoustic collab from Hypercube and UNIC6, entitled Binary Planet:

We’re aiming for a 19th January release for Binary Planet, to be available on all major digital platforms, plus CD via Bandcamp.

More on this and the other new releases soon.

News from the Conning Tower: That was then, this is now.

Hi, Submariner-in-Chief Rob speaking. I just wanted to send a seasonal message and update you on news for next year.

So, what a year! It was, I suppose, SBC’s first full year as “a thing” (we first released stuff in 2017 but I think it was this year that earnt our spurs, carved our niche, twisted our sobriety…?)

We did a lot of stuff, we did a lot right; we did a few things wrong too, but I look on those as part of the learning process and we live to fight another day. Lots of achievements, both artistic and technical:

  • Our first cassette release
  • A release nominated for the Schallwelle Music Awards
  • Three releases available as hardback book/CD packages
  • Our first play on BBC 6 Music
  • Our first review in “proper” music magazines
  • True multimedia, with a series of original paintings in our merch shop
  • Launched a monthly playlist, Submerged.
  • A new drop-ship CD manufacturer, enabling release of CDs where it would have been cost-prohibitive previously
  • Experiments with new streaming services, Choon and MusiCoin

We’ve also raised a shedload of cash for charities (you may recall the initial reason for us existing at all was the One String Inspiration project, which raised money for Syria Relief). Since then we have raised many hundreds of pounds for:

A huge thank you to all the artists who donated their time and talents to the projects that made this possible.

So with the Christmas season approaching, I think we’ve deserved a rest, so you’ll see the activity and social media posts start dwindle now until the New Year. Regardless of your religious persuasion, I’d like to think we’d all want some peace, and maybe even muster up goodwill to all men. And if you are really stuck for Christmas gift ideas, who doesn’t love a Bandcamp download?


2019 on the Submarine

So… one of the big lessons that 2018 taught me was not to bite off more than I can chew. A number of artists have approached us regarding potential releases and we’ve had to turn them away, because next year is going to see a change to the rate of releases from the Submarine Broadcasting Company. The reasons are manifold, but the main two are that I’m just not getting time to work on any Beltism material and that Simply Will Not Do! Also, I’m finding it difficult to find time to properly promote a release before the next one is upon me, so something has got to give.

To give you an idea of when things might happen, we have four releases on the slate for January and February: these include a stunning new album from Wilfried Hanrath and a new retrospective from Manipulant, plus other stuff that’s still top secret. But after February, the intention is to slow it right down, with perhaps only another six releases until 2020. Who knows, maybe by April I will be bored out of my mind and be desperate to release more material? But that’s the current plan.

A note to our existing and prospective artists: don’t be afraid to get in touch about anything you would like to release through SBC, but note that we will be making some changes to the way we work. Probably the most material of these changes is that we will be imposing a lead time, so we will need lots of notice prior to release, but there will be some other changes which we’ll discuss at the time.

Toneshift Review of Das 7. Siegel by Hans Castrup

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Hans Castrup | Das 7. Siegel
Submarine Broadcast Company (CD/DL)

A document of a 3-channel electroacoustic sound installation at Museumsquartier Osnabrück by musician and visual artist Hans Castrup.Das 7. Siegel (aka The 7th Seal) is based on a print by Albrecht Dürer from 1498. The piece runs for over thirty-six minutes, opening with a soft smouldering drone. A dragging clang and whistling wind enter. The atmosphere just drifts, that is until a series of what sound similar to the magnitude of computer dial-up penetrates the peace. And suddenly its whispery winds once again.

This cyclical channeling of pitch is not lost on callous ears, instead it brings with it a auditory chasm, bridging the state of mind and body. While it would be easy to offer a cauldron of pure noise effects, or go the opposite way and wallow only in the murky sleep-inducing drone, Castrup has opted…

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News from the Conning Tower: Menhir and leaving richmond

Our final two releases of the year will be released in December; both are new artists to the Submarine Broadcasting Company, with contrasting styles but both represent the highest quality of music possible.

First out the blocks are Spanish project Menhir, with their beautiful and startling Sound Track, part of their multimedia project, Desert Series.  The album is inspired by the Sahara desert and the saharawi refugee camps. The music forms the original soundtrack of the documentary “My First Life”, by the Mexican filmmaker Carlos Hernández. The film describes the birth and first days of a child in the camps. This collaboration led to the creation of the video-art Desierto (see excerpt below), which won 2nd prize at CNP Partners Proyector Festival (2018), and a photo series, which together make Desert Series.

The music is a unique blend of analogue synths, voices and electric guitars, mixed with medieval cellos and sandstorms. You can hear Lepsir, the opening track from the album below:

 


Also in December is the brilliant new single Moon Health from leaving richmond. We discussed with Jordan from leaving richmond about the pitfalls of the many micro-genres of electronic music (vaporwave, synthwave, mallsoft, glo-fi, dreamwave etc. etc.) and came to the conclusion that “electronic” would cover it, although I reckoned there were some nice retro touches, and Jordan likes the “chill out” tag. The best plan is to listen to it and decide for yourself. You can hear the lead track Moon Health today, but you’ll have to wait until the release date before you can hear its companion piece Wanderlust.