alan morse davies

Review of Alan Morse Davies – Hymns

Enlightened review from Yeah I know It Sucks

Yeah I Know It Sucks

Artist: Alan Morse Davies
Title: Hymns
Keywords: experimental ambient art progressive United Kingdom
Label: Submarine Broadcasting Company

I couldn’t sleep and pretty much bored of counting sheep. Luckily Alan Morse Davies popped up at the right moment with a solution: counting goats. As I counted the goats Alan Morse Davies brought a whole bunch of public domain records to compliment the dream world that I had finally reached. The goats had paraded by and jumped over a random fence quite successfully and now I was in a deep sleep enjoying the music selection of the past as presented, mixed and breath new life into it by Alan Morse Davies.

In my dream he stood behind a deejay desk, but instead of mixing and matching the usual beat orientated stompers into each other, he would spin the historic round sound of forgotten history, glueing them gradually like a collage of ghosts…

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News from the Conning Tower: GOATS ‘Far Out’

Next month we have another big release, the much anticipated new album from experimental supergroup GOATS.

Far Out is GOATS’ second album, and it is a different beast from the first album. There has been a change of personnel, and this time the album is a single 38 minute piece; chief goat herder Alan Morse Davies describes it as a song cycle, more of which later.

We’re leading with a cassette release for this album; digital formats will be available from our Bandcamp store and selected other platforms. Note that due to the continuous nature of the music, the cassette is single-sided, so the second side is free to do with what you will. We recommend trying to record your favourite tracks from the top forty, but without the DJ’s voice on the intros.

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There are already some excellent reviews of ‘Far Out’ (like Albert E. Trapezoid and Mystic Tape Deck which both brilliantly capture the spirit of Far Out, but if clicking on those links is way too tricky, here’s the SBC take: Far Out is like a journey, or perhaps a trip (remember kids, drugs are bad!) where you’ll encounter found sounds, shimmering ambient canvasses, complete songs, bent circuitry, all overlapping and merging, occasionally crystallizing into focus before disappearing from view and being replaced with something new. It’s experimental, but accessible, Dadaist but emotional. Go with the flow, let it wash over you, drink deep and you’ll discover a truly unique work of art.

Available at special pre-order prices here.

 

August Releases: Cottura 8 Minuti and Manipulant

Two releases this month, both somewhat unusual.

First up is the various artists compilation, Cottura 8 Minuti (or C8M). This is compilation of music made in, or at least centered around, the kitchen. We’d love to take credit for C8M, but the truth is the curation and heavy-lifting was done by Lezet and Razrook, both of whom appear on the compilation.

Lezet (Igor Jovanovic) says:

“Cottura 8 minuti – that’s a suggested time for preparing a meal (often printed on pasta package, spaghetti for instance).

Cottura 8 minuti (C8M) was also a suggestion for musicians and sound artists to contribute in gathering a collection of sound recordings that all originate from any sort of a kitchen (indoor, outdoor, home, restaurant etc.)

C8M – gave freedom to explore all kinds of kitchenish soundscapes. The performances (“cooking” the sounds, or other recording engagement in the kitchen, using kitchenware to produce sound, music, or even playing real instruments while cooking them in a stew…) don’t all last for 8 minutes, but we gave the artists strict instructions not to overcook it!”

As you might expect, C8M is predominantly experimental, containing generous servings of field recordings, noise, no-wave and treated sounds. Artists featured include Zumaia, Mean Flow, { AN } Eel , Gekkering, Awkward Geisha, Yann Pillas, David Nadeau, David Fenech and many more.

C8M is available as a digital download from Bandcamp, iTunes and Amazon, or on two CDs from Bandcamp.

All proceeds from C8M go to the Petar Radovanović Children’s Home, Užice, Serbia.

 


Our other release so far in August is a first for SBC, an album of remixes. We’ve taken Manipulant’s lovely single ‘What Good Are The Stars?’ and handed it out to a phalanx of musical luminaries and encouraged them to do unspeakable things with it.

Punningly entitled ‘The Stars Are Good… What?’, the album includes remixes from SBC ‘regulars’ Martin Neuhold, Alan Morse Davies, t.r. hand and Beltism, plus a plethora of guest artists new to the label:  A Multitude of ONE, Cheddr, Stoneygate, Alex Hilliard with IE Unnoticed, Incentive, and Once & Future NoOne. It’s a fantastically inventive collection of remixes, ranging from the sympathetic through to complete re-workings.

‘The Stars Are Good… What?’ is available as a digital download or CD from Bandcamp. All proceeds go to the Make The World Better (MTWB) Foundation (Philadelphia). www.mtwb.org

News from the Conning Tower: New Release Round-Up

It’s been super busy here at SBC for the past month or so, and we have snuck out a few releases with relatively little fanfare nor ballyhoo. So, let’s rectify that straight away.

Back at the beginning of May, we released the debut EP from the immensely talented singer/songwriter Sil Fiore, who performs under the name Sibilla. Here at SBC we pride ourselves on the variety on offer on our smorgasbord of delights, and Sibilla’s debut EP serves up some first-class songwriting, powerful blues-tinged emotive vocals and top musicianship, all with a slight lo-fi alt-pop sensibility. There’s also a blistering, ground-up reworking of the Bessie Smith classic ‘Long Old Road’.

 


At the opposite end of the conventional music spectrum is the new EP from We Do Not Exist. We Do Not Exist comprise Alan Morse Davies, of Truck Stop Rent Boy and GOATS fame, and Petridisch (also a one time TSRB collaborator, Bearsuit Records alumni and Vocaloid practitioner). Alan describes the EP as “a journey through challenges”. It’s experimental (as you might expect), but also accessible; it’s meditative, but also unsettling. All proceeds from sales go to Médecins Sans Frontières, so if you don’t buy it you are A Bad Person.

 


Mid-May saw the release of the first of Martin Neuhold & Friends’ Dialogue series. The origin of these pieces were solo improvisations recorded by Martin as part of February Album Writing Month (FAWM) that were then collaborated on by an army of like-minded ambient and experimental musicians.

Martin is the loveliest of people and an incredibly talented multi-instrumentalist and we’re so delighted that he’s chosen SBC as the netlabel for this work. There will be another two Dialogue albums released over the next couple of months.

Dialogue 1 is available as download or CD; again, all proceeds go to Médecins Sans Frontières.

 


The last releases in May were two space-themed albums.

The first of these was  ‘Citadels in Space’ by Dynamo Snackbar.

One of the pleasures of the Klang release was the number of positive comments about the two Dynamo Snackbar tracks (and yes, there are still a few Klang CDs left, but don’t hang around) and this new album is equally brilliant.

Dynamo Snackbar’s music is generally somewhat genre-defying. Comprising two long-form tracks, this album is part krautrock, part space-rock, part prog… if you like Ozric Tentacles, Quark/Levitation-era Hawkwind, Tangerine Dream,  Berlin school synths or Bill Nelson this is going to resonate with you. 


The second of the space-themed releases was ‘Distress Call from Life Raft 13’ by Tim Kays.

This unique album is part ambient meditation and part historical document. Everyone has heard the famous line ‘Houston, we have a problem’; Tim’s album traces the events of the hours that followed Jack Swigert’s fateful words.

Using genuine NASA recordings, juxtaposed against a hypnotic ambient soundscape, Tim’s album works for both active or background listening. Tim’s album is available as a free download.