The Spider Room from Joseph Blane is wonderful and original free jazz improvisation (with spiders).
Tangara & Somnoroase Păsărele
Explore our releases from September. Collective Tangara from Ukraine and Somnoroase Păsărele from Romania.
Summer of Synth // A retrospective view
From June through to August we released a series of albums that were unconnected other by the hash tag #SummerOfSynth.
In this news missive we revisit those releases with the hope that they are discovered by some folks who may have missed them the first time round.
Incentive // Incentive
Incentive's second self-titled album is also available digitally from circle with a dot, here: incentive.bandcamp.com/album/incentive-2021 Credits released September 17, 2021 Incentive - production, vocals, synthesizer, mixing Chase Jackson - master engineer Nice Flaws & Incentive - album art
German Ocean // The German Ocean
“Once upon a time, we looked outward”…. The German Ocean formed in late 2020, a partnership between Darren j Holloway of SINNEN and Gavin Martin.
Ghost by Bridget Wishart & the Band of Doctors | Review
Ghost by Bridget Wishart & the Band of Doctors in review from the Music Street Journal.
Artist Reviews on Monolith Cocktail
SubCastCo artists on Monolith Cocktail. Read the reviews.
Review of Alan Morse Davies – Hymns
Enlightened review from Yeah I know It Sucks
Artist: Alan Morse Davies
Keywords: experimental ambient art progressive United Kingdom
Label: Submarine Broadcasting Company
I couldn’t sleep and pretty much bored of counting sheep. Luckily Alan Morse Davies popped up at the right moment with a solution: counting goats. As I counted the goats Alan Morse Davies brought a whole bunch of public domain records to compliment the dream world that I had finally reached. The goats had paraded by and jumped over a random fence quite successfully and now I was in a deep sleep enjoying the music selection of the past as presented, mixed and breath new life into it by Alan Morse Davies.
In my dream he stood behind a deejay desk, but instead of mixing and matching the usual beat orientated stompers into each other, he would spin the historic round sound of forgotten history, glueing them gradually like a collage of ghosts…
View original post 322 more words
GOATS ‘Far Out’ Review from Monolith Cocktail
Reviews Column: Dominic Valvona
Back after a short hiatus, my eclectic spread of recommendations and reviews features, as ever, a bumper edition of recent releases. There’s a suitably seasonal solo album from a Beach Boys imbued Mike Gale that wallows in the scorching rays, called Summer Deluxe; some live action from the Ottoman/Edwardian imbued period fusion of Arab and English music hall Brickwork Lizards, who’s new EP features a quartet of live recorded tracks from the St. Giles sessions; there’s a trippy psych peregrination hard sell from the Submarine Broadcasting Company in the form of a GOATS (not that one, this is another group entirely) cassette tape called Far Out; the latest beautifully, if despondently, articulated songbook from Oliver Cherer, I FeelNothing Most Days; the musical suite in all its glory from Bethany Stenning’s multimedia conceptual art film The Human Project, released via…
View original post 3,865 more words
Review of Cousin Silas and Pendro ‘The Audio Scullery’
Submariner-in-Chief Rob reviews the recent work from Cousin Silas and Pendro: The Audio Scullery is the latest collaboration between Cousin Silas and Pendro - an interesting joint venture on several fronts, not least perhaps the perceived difference in styles: Cousin Silas, a musician I tend to think of as melodic and accessible, and Pendro, who …
Continue reading "Review of Cousin Silas and Pendro ‘The Audio Scullery’"