Artist Reviews on Monolith Cocktail

We are ugly grateful to Dominic Valvona and the team at Monolith Cocktail for including two SubCastCo artists in their Best of 2020 roundup.

First up….

“Less Holst The Planets magnum opus, more lo fi Krautrock purview of a sinister, mysterious cosmology, beamed from a subterranean bunker in Krakow, Corticem’s Plantetarium dials into the present pandemic dystopia whilst casting a soundtrack of awe at those heavenly bodies. I say from Krakow, and a bunker, but the trio have lost their previous studio/rehearsal space; the loss of which acting as an unfortunate stimulus for the mix of industrial, entrancing, cosmic and experimental exploration on this minor-opus of concentrated malcontent, despondency and rage. Formed by members of the “songs strange and not so-strange” Sawak in the Polish city, Corticem finds the trio of orbital sonic cosmonauts Bogdan Markiewicz, Antonello Perfetto and Greg Nieuwsma looking to escape towards the stars but anchored to the malaise and mounting horrors of terra firma: A world gripped in Covid distress. A liberal dark material contortion of Swans, the faUSt pairing of Jean-Hervé Peron and Zappi Diermeir, Mythos, the satellite refraction broadcasts of Gunther Wusthoff, The Cosmic Range, Itchy-O and Ash Ra Tempel, this caustic and often impending oeuvre offers as dystopian and alarming, alien and otherworldly soundtrack to the end times. What’s not to like. (DV)”

And lumbering up just behind…..

 

“Reimaging a time when Earth’s landmasses were being reshaped, the atavistic geological inspired futurist dub unit pose a cultural “what if?” with their fourth “set”, Kafou In Avalonia. Wishful dreaming Cousin Silas And The Glove Of Bones picture an alternative reality; one in which Avalonia still existed as a gateway between all Earth’s cultures and peoples. It acts as the crossroads that might have set out an entirely different course for civilization; a more integrated, less fractious one perhaps. In this setting Haitian, Brazilian, Angolan and Nigerian deities, spirits and rituals converge with an experimental soundtrack of post-punk dub, Kosmische and electronica. Invoking a lost world, a quasi-Atlantis, they merge voodoo ceremony and tribal incantation with sonorous throbbing basslines, barracking drums, heavy reverb and craning Manuel Gottsching like guitar. Ancestral ghosts meet synthesized futurism on this mystical transformed aural geography, as recordings of various rituals swirl in and around a cosmic soup. A supernatural and celestial, seeping and vaporous vortex of polygenesis sources are gathered together to create an imaginative cosmology hybrid. If The Future Sound Of London and Ash Ra Tempel recorded an album at Lee Scratch Perry’s black ark studio it might very well have sounded something like this. (DV)”

Both albums available from the Bandcamp store.

 

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